Get In The Van Drifting on (and off) the road with Phish by Kevin Wilkins Where do you want to go today? Want to leave it all behind and play with the populace, serving them what you wish someone would serve to you (and vice versa)? Or would you care to know one of those ever-slippery defining moments, then a couple, then a hat trick? How would you feel about rolling through several days and nights considering things you havenÕt, tasting things you shouldnÕt, being things you were and will be, and hearing what you canÕt? If any of the questions just elapsed have even the slightest grab on your soul, you are one of three things: a Phish fan, a future Phish proselyte, or a member of Phish. Could that be? Are the strings that bind the Burlington, Vermont quartet and those who feverishly tag along on their global trot laced as loosely as suggested here? Oh, you bet. And thatÕs the only way each and every one of them would have it. Any night they play, whether it be in Hamburg, Germany (where their latest live album Slip Stitch and Pass was recorded) or New York City (where, this past New YearÕs, the earthy ensemble sold out three consecutive shows at Madison Square Garden), Phish and their audience show up to the party precisely for the uncertain introduction, the awkward moment, and the uncomfortable silence. Then they all smile and wriggle around together for what can only be explained as a three-hour fall down a padded flight of stairsÑeach bump and bonk a welcomed event in the cycle of uncertainty that composes any mischievous evening with the improv-proficient platoon. Get it? No. No one really does, but just in case you want to research why you feel the way you do after a Phish presentation, there are tens upon hundreds of Web sites devoted to the history of the band, effectively documenting every move theyÕve made since their humble beginningsÑbreaking it down to important tidbits such as their first gig, the day they named themselves and why, and their respective first kisses. So how does one explain a phenomenon such as this? One doesnÕt. But what one can do is experience the unexplainable firsthand. Yes, thank you, I will. Over the course of the most recent summery and autumnal days, a troupe of friends aided me in following what only a small number of thinly stretched years ago I would have considered not worth pursuit. Why now? Why them? And why get in a van and spin from the short side of one day to the long side of ten in order to be in the same city any band is playing, let alone one called Phish? ItÕs beyond me, but the number of individuals willing to tour in the wake of patchouli mist and burnt motor oil is surprisingly highÑliving proof present in our vehicleÕs ever-waxing population. But the question Òwhy?Ó is not the one on the tips of these tongues. Rather, the four other famous Ws and their equally famous friend, the solitary H, are the most asked. Not because the answers to the whos, whats, wheres, whens, and hows are more important, but because for most folks on this journey the ÒwhyÓ question has already been answered. Lucky for us, the answers are as widely varied as the number of people who have posed the silent inquiry to themselves over the last decade and a half. Variety, as they say, is the spice of life, as well as the spice that flavors an ensemble such as this. But PhishÕs is a calculated variety, ranging from thoughtful and endless discussions on how to deliver new material to their audience, to the elaborate listening and improvisation exercises the four members routinely put themselves through. Practice procedures require the members to listen to each other during improvisation with a wide focus on what the others are doing, instead a tight one on the self. This erases the ego of the individual musician and enables Phish to achieve the seamless and spine-prickling live performances that have helped build their following to fill the extra-large venues and parking lots theyÕve been exiled to in the past few years. Another thing they say is that the trip is as important as the destination. And when youÕre grouped with a colossal cluster of heads as single-minded in their pursuit of what lies ahead as the folks lamely tagged as Phishheads (a boring variation on the Deadhead designation), it makes for a stimulating pilgrimage, to say the least. This is the journey where we all learned to travel together, and together we traveled to learn. The most life-changing epiphany lying in our discoveryÑthe road to the next show is not paved with good intentions, as everyone thinks, but with asphaltÑa perfect surface for driving our overworked and undercooked van. HereÕs some stuff we did: We rented a van. Sounds simple enough, but this ingredient is crucial to the continuation and enjoyment of the trek. Not just because itÕs nice to have a way to get to the next showÑwhich can be anywhere from eight hours to three days away on any given tourÑbut because everyone requires a place to call home away from home (sigh). We all need a ride! The vehicle is where you can sleep, itÕs your safe-deposit box, your dresser, your kitchen, and your sanctuary. ItÕs also the only good place to watch the world (as seen through dirty safety glass) fly by on your way to the next port of entry. ItÕs a comforting sight to wake up from a night of auto-slumber and see a road of cars composed of grubby Phishermen and women heading forward along with you. Do it and youÕll be vacationing with a thousand busloads of friends; the entire movement chartered directly to the next show, but piloted by certain uncertainties. There are friends youÕve never met filling up at the gas station and familiar strangers getting snacks at the AM/PM. Kindred unknowns are everywhere, replenishing their water supplies at the grocery store, fixing their cars, sleeping in their trucks on the side of the road, and eating beans and rice with you. If youÕre out and about on a winding ramble to the elusive mecca, this is the only friendly crew who will get you through. Hang tough. We sat in parking lots. Sounds simple, tooÑalmost tedious. But you canÕt always judge a parking lot by its cover. These expanses, these impromptu city-scapes whose skylines are dominated by converted school buses and camper van pop-tops, are far from mere tailgate parties. They are communities. And like every legitimate community on this round rock of ours, Phish show parking lots are as self-sufficient as they are self-conscious. What do I mean? Well, what do you need? Kind veggie burritos? Kind vegan beverages? Kind handmade hemp clothing? Kind bracelets, necklaces, paraphernalia, clutch cables, tools, grilled cheese, conversation, places to sit, dogs to pet, melodies, tire pumps, jump starts, shitter/pissers, kind words, and most anything else ranging from T-shirts to the unmentionable is readily available from any of the sleepy-eyed road warriors who populate these migratory metropolises and peddle their wares to the mass of motherfÑkers and their minds. This scene however, transcends the label of subculture phenomena. Not only because the population in and around a particular venue is as big as a good-sized Midwestern town, but because of infrastructure. Theirs is a self-policed society of the ethical and etiquette-concerned, complete with a parking-lot maintenance squad. The self-appointed Green Crew picks up after each tour pause so that at later dates the thronging mob might be allowed to return to any particular whistle-stop on PhishÕs big train ride, thus making the Òvenues and locals happy, Mother Nature stronger, and the history of Phish longer.Ó* We listened to music. Once again, itÕs simple, and itÕs on. Music is everywhere at these events. Out it comes from all cars, trucks, and busesÑhissing out of other peopleÕs headphones and pumping dense from booming DJ setups. ItÕs in your head, it plays for hours before the band ever takes the stage, and itÕs as varied as all the mutt and purebread faces that bob around atop skinny, limber necks. If the days and miles and situations surrounding a Phish tour is the solar system, music is the sun, beaming bright and lighting everything just perfectly. Smiles all around. While itÕs true that what Phish does is unique and special, itÕs also something that cannot be experienced by purchasing and listening to a CD. They do have plenty of buyable material out there, but Phish is who they are because they allow taping at their once-in-a-lifetime shows. This has lead to a bumper crop of expert recordings available for the price of a blank cassetteÑthey are not for sale. These magnetic ribbons and the mumbles of their beholders is what gets people to Phish shows. But even these coveted gems are nothing but lowly facsimilesÑsubstitutions for the real deal. So why even bother making recordings? Because they are, in effect, the massively distributed Xerox flyers calling people to hear what there is to hear. Without them, fans wouldnÕt go ape shit over a tempo switch, the order of songs on a given evening, a simple note, or the absence of one. ItÕs all about variations on a theme, my friendÑthatÕs why we go, and thatÕs why weÕre here. ThatÕs also what got me and mine to seven West Coast dates this past year. I might not know much, but I can tell you each show was completely different, glee filled, and inspiring. By showing up to a Phish concert we added to the whole, varying the mix, bettering the performance, and adding to its fluidity (or lack thereof). But enough about me. HowÕve you been lately? If you happen to be one of the privileged whoÕve broken through the distracting maze of stereotypes and shit talkers, and emerged on the other side at a Phish show, you know what IÕm talking about. Whether youÕre playing at or just at a performance of these spur-of-the-moment-wise minstrels, itÕs hard to explain and unclear exactly whatÕs going to happen. It is certain, however, that something will go down, and when it does, itÕll be nice. But how do you define this for the rest of the universe not lucky enough to know of the phenomenon firsthand? Many say, ÒDonÕt even tell Õem at all. If theyÕre supposed to find out, they will.Ó I say, ÒPush Õem along.Ó Show them exactly what it is that has gotten this thronging mass of road freaks and hapless seekers of freshness to this point. A group of smilers, a collection of collectors of moments, flashes, and twinklings, a pack of sharers of velocity and holders of hands. A dehydrated bunch of human beings who, from a lack of conscious design, have become the good map by which others are guiding tiny parts of their own realities. A group of individuals who allow each other to roll with the punches in the relative safety of the tribe, but who also allow you to see, touch, taste, smell, and hear a Phish show through themÑcomposing what may be the biggest organic amplifier of experience ever plugged in. Show them a population so together, its members can predict where theyÕll be 80 out of the next 365 days and may actually be the only people who really know where they want to go today. They want to go. They want to see. They want to Phish. Go see Phish. Wanna go? anyone interested in getting the issue (June Vol 7#2) in which the article was published. It's $5.00 >> that just covers the printing costs and postage. They go like this: margot@twsnet.com or Warp magazine attn: Margo 353 Airport Rd. Oceanside, CA 92054 Or they can call Margot @ 800 788 7072 ext 110 My e-mail, too: kevinw@twsnet.com
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